The last Sunday in April is Worldwide Pinhole Photography Day. I'm not sure when it started, but I've been participating for at least eight years (or is it seven?...somewhere in that range). If you want to read more about the day here is a link. For me, it's fun to celebrate the low tech technique and all the things I love about it!
What do I love about pinhole? The infinite depth of field, the distortion, but most of all the long exposures. There's a fluidity about pinhole that delights me. With other cameras, many times it's click and go. With my pinholes, it's open the shutter, move in front of the camera, walk with the camera, flow from one visual point of interest to another...and many variations thereof! I've always felt that the images made with pinhole reveal the spirit of a place, person or thing and represent the ever flowing movement of energy and life. That little space where light trickles in and makes its way to the film becomes my paintbrush and I love that. And yesterday was no exception in creating images that delighted me, to honor the technique.
The photos here were made with my Zeroimage 69 on Ilford Delta400 film. I actually exposed a roll of Portra 160 in the Zero as well, but I've yet to get that processed (I do b & w processing at home). As with much of my photographic work, I take what's familiar and mundane and use it to create something I think is visually interesting, or weird, or lovely. I like to take viewpoints that are unusual...squatting down low for a bug's view of a flower, hugging a tree looking up to the canopy, following Avery and illustrating the blur she can be. And my pinhole self portraits are among my faves of that genre of image, because I see in me something different every time.